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Parquet Courts - Content Nausea (2014) [FLAC]
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Tag(s):
politux flac 16.44 rock alternative 2010s 2014
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  Parquet Courts - Content Nausea (2014) [FLAC]

  Genre: Rock
  Styles: Alternative
  Source: WEB
  Codec: FLAC
  Bit rate: ~ 1,000 kbps
  Bit depth: 16
  Sample rate: 44.1 kHz

  01 Everyday It Starts
  02 Content Nausea
  03 Urban Ease
  04 Slide Machine
  05 Kevlar Walls
  06 Pretty Machines
  07 Psycho Structures
  08 The Map
  09 These Boots
  10 Insufferable
  11 No Concept
  12 Uncast Shadow of a Southern Myth

  Not even six months after the arrival of their dazzling third album Sunbathing Animal, New York's brainy clatter-rock collective Parquet Courts quickly re-emerged with album-length art rock tirade Content Nausea. Released under the mixed-up but identically pronounced moniker Parkay Quarts, this isn't the first time the band has blurted out a stylistically divergent slab of jumbled weirdness. Following 2012's Light Up Gold, this evil twin version of the band showed up in 2013 with an EP entitled Tally All the Things That You Broke that let loose with more uninhibited forays into shambling punk and robotic vamps. In the same loosely arranged fashion, Content Nausea was churned out on a four-track in the course of two weeks, mostly by Parquet Courts songwriters Andrew Savage and Austin Brown with some guest spots from Jackie-O Motherfucker's Jef Brown on saxophone and noisy violin from Eaters member Bob Jones. Almost all of this virtual grab bag's 12 songs go in slightly different directions, from the spoken-sung punk essay of the title track to cold lo-fi synth minimalism on "Psycho Structures" to a fairly straight-faced cover of Nancy Sinatra's country-rock classic "These Boots." There are some echoes of both the aggression and exhaustion that characterized the best moments of Sunbathing Animal. The midtempo "Slide Machine" stumbles dourly through, evoking the spirit of both Pavement and the 13th Floor Elevators, while "Uncast Shadow of a Southern Myth" ambles on for six and a half minutes of rootsy despair somewhere between the Silver Jews and Dylan himself

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